Category Archives: book
The time is coming when the paper pellet must be replaced by the golden bullet and altruism, with all its good intention, is to be taken barn side and shot in the head. There it shall remain buried until further notice. It is of no benefit for a man to attempt a conviction of my soul from this point forward. No man will dictate that I give to my neighbor, nor will he plead to my mind the largeness of his own needs or the usefulness of my donations, nor will an elected official argue the point that I must pay more in order to adhere to the moral responsibility I have to my brother. I have no moral responsibility to my brother, other than that which I deem to be moral. I have no moral responsibility to anyone but myself, nor does my neighbor have a moral responsibility to me. With that, both he and I, can now exist knowing that what we give to each other, we give freely from our hearts, not because a governmental body has decided to play the role of clergyman and convict our souls while tugging at our heartstrings, all the time sneaking in and about our purse strings. But along the way, I suspect that altruism will attempt an escape from his grave and look to rise from his confinement back to his moral high-ground. But when he does, I will be there. On bended knee, my mouth will let drip whispers and suggestions that will saturate the very dirt through which his compassion claws away. Leave me alone, I will tell him…leave me be and I will take a step toward you on my own, in my own time, at my own pace. Though while you wait, my altruistic friend, take notice of your precious Collectivism waiting in the hand basket as your Russian revolution burns away in hell. Yesterday’s rebel is awake and it wasn’t your science that saved me, it was the way that He and they prayed and prayed for me and now I am no longer THEY or WE…I am individual…I am I. — Mike McMannes 2012
Ever since Sawyer was shown reading “Watership Down” in Season One of “Lost,” an abundance of carefully placed works of literature have been featured on the show (in gym bags, on book shelves, in episode titles), spawning “Lost” book clubs and blogs filled with eager readers combing for clues to the fate of the stranded Oceanic Flight 815 survivors.
The unpredictable nature of the show left fans hungry for answers week after week and the referenced books have provided plenty of theorizing and heated discussions, even as the show moves towards its conclusion.
Executive producers and writers Damon Lindelof and Carlton Cuse grew up reading a lot of the same authors (Stephen King, John Steinbeck and Kurt Vonnegut) and have acknowledged literature’s influence in the way they have shaped the show.
“It’s a nod to that process,” Lindelof (who is also co-creator) explained last year. “We pick the books with a great deal of meticulous thought and specificity and talk about what the thematic implications of picking a certain book are, why we’re using it in the scene and what we want the audience to deduce from that choice.”
Because “Lost” was not a carbon-copy cop show, legal drama or medical show, there was not a lot of precedence for its unique structure. Lindelof and Cuse found inspiration in the making of the show in books as opposed to movies or other TV shows.
They noted Stephen King’s “The Stand” as a blueprint for early episodes. “It was this very long, character-oriented book that hung on a high-concept premise that the entire nation had been infected with this super-flu, and it was the equivalent of people crashing on this mysterious island. Both based on incredibly intricate and involved character dynamics,” Cuse said.
More than 70 books have been referenced during the six seasons, including heavy reads such as the 700-page “Ulysses” by James Joyce and “The Odyssey” by Homer. Whether it’s a plot line, character or theme, many elements seen in “Lost” can be traced back to a book: time travel (“A Brief History of Time” by Stephen Hawking), alternate realities (“Alice in Wonderland,” “The Chronicles of Narnia,” A Wrinkle in Time”), differing points of view and flashbacks (“Catch 22″) or simply the title of an episode (“Through the Looking Glass,” “Tale of Two Cities,” “There’s No Place Like Home”). All reflect the producers’ and writers’ fondness for great literature.
There are a few titles that have been referenced regularly throughout the series and undoubtedly for good reasons. “Watership Down,” Richard Adams’ novel about a society of rabbits searching for a safe place in a threatening world, is one.
“’Watership Down’ was the book that got me started reading the books on the show,” said James Brush, a high school English teacher in Austin, Texas, who started his own blog devoted to the books on “Lost.” “It always makes me think of Jack. He’s like the main character, Hazel. He’s not the biggest or strongest but he’s smart and grows wise.”
Rather than one all-encompassing book that sums up the entire series, each season seemed to have a few titles relevant to the storyline. “Each season had a book that has for me really resonated,” Brush said. “In Season 3 it was ‘Catch 22’ by Joseph Heller. Charlie was going to die and Desmond knew it. He was stuck in this loop of trying to get out of the current situation yet making it worse.”
Another Brush favorite: “The Brothers Karamazov” by Fyodor Dostoyevsky. “The characters are drawn with a lot of psychological depth. I found similarities to Jack, Locke and Sawyer,” he noted. “The theme of patricide connected and was reinforced with their serious father issues revealed in Season 2.”
The Sawyer factor. The most unlikely bookworm on the island is the one character we see reading the most, from Shakespeare’s “Julius Caesar” to “Of Mice and Men” by John Steinbeck and “The Fountainhead“ by Ayn Rand. In the Season 3 DVD, Lindelof mentions Sawyer’s similarities to the main character in “The Fountainhead,” Howard Roark. Both are rebels against the general culture of their society and prefer to be by themselves.
If one book was most influential on the show, it was probably “Alice in Wonderland.” “To say there is only one is unfair,” said Lindelof, “but we keep coming back to ‘Alice in Wonderland’ thematically. That was a book that both Carlton and I remember very specifically as children. It was a gateway drug to sci-fi and fantasy in many ways.”
Lindelof said he read a lot of Piers Anthony as a kid, and is an expert on “The Wizard of Oz.” One ode to the L. Frank Baum classic: when we first meet Ben, he uses the alias Henry Gale, the name of Dorothy’s uncle, and claims to have crashed on the island in a hot air balloon.
Cuse, known to be the “Narnia” scholar on the show, cited Flannery O’Connor as his greatest influence. “We have a lot of religious themes and sudden and striking violence and she was the master at that. I love her work.”
Jacob was seen reading O’ Connor’s collection of short stories, “Everything That Rises Must Converge,” in a flashback scene in Season 5. “In one story, ‘Judgment Day,’ a man imagines how he’ll fake his own death, take his coffin from New York City to the South and surprise his friends with the fact that he’s still alive,” Brush said. “That’s sort of what happened with Locke when he re-manifested himself. “
Brush noted that if “Lost” follows the trajectory of this or any of these stories, a happy ending isn’t likely.
Is there one single book’s plot that will predict the ending?
Some bloggers see clues in “Left Behind,” by Tim Lahaye and Jerry B. Jenkins, in which several passengers aboard a plane suddenly and mysteriously disappear. They learn that Christ has come to take the faithful with him in preparation for the coming apocalyptic battle between good and evil and those left behind must decide to join the forces of Christ or the forces of darkness.
There’s no escaping the not-so-subtle references to “The Bible” with Jacob and the Man in Black, light vs. dark, mentions of sacrifice on the horizon and Richard shouting “We are in Hell!”
Brush believes that the heart of this season, lies within “Haroun and the Sea of Stories” by Salman Rushdie and “Deep River” by Shūsaku Endō, a tale about finding balance. The premise of “Haroun” is that all stories come from a single source polluted by an evil lord. The stream of stories must be stopped by pulling a cork on all the other stories that have escaped. “If this season follows this model, one of two realities will cease to exist once one is defeated,” said Brush, referring to the sideways flashes.
“I’ve come to the conclusion that Locke is going to be defeated or be balanced out. Whoever is left on the island will be the sacrifice that saves the world.”
loS aNGELES tIMEs
“One of the main characters in Dan Brown’s new book The Lost Symbol , is a scientist particularly interested in ‘mind over matter’: the power of thought–or intention–to affect and change the world. The ‘big idea’ in Dan Brown’s book is that science is only now providing evidence of what ancient traditions have traditionally espoused: that thought has a tangible power, enabling human beings to be creators of their own world.
I’m in a unique position to comment on this as I have extensively studied all the science Brown includes in his book, written two bestselling books on the subject and I facilitate these kinds of experiments all over the world. In fact, Brown prominently singled out me, my book, The Intention Experiment, my research and my website www.theintentionexperiment.com for special mention in the blockbuster, claiming that one of his main characters was ‘fascinated’ by my work and my web-based global laboratory, testing the power of thought.
Although Solomon is solidly fiction, the vast majority of her work is based on solid fact.
In a sizeable body of research exploring the nature of consciousness, carried on for more than 30 years in prestigious scientific institutions around the world — Princeton and Stanford Universities, the Universities of Arizona and California, and, in Europe, the Universities of Freiberg and Edinburgh –thoughts directed at targets in the laboratory have been shown capable of altering machines, cells and even complex organisms like human beings. This mind-over-matter power even seems to traverse time and space.
In my own web-based experiments, we involve thousands of participants in 90 countries around the world, sending thoughts to targets created in rigorous laboratory settings at the University of Arizona, Pennsylvania State University, University of California at Davis, and other prestigious universities in Europe. Of our 19 experiments to date, 16 have shown significant positive results, six of which have been published in a scientific paper.
These studies go well beyond spoonbending tricks. This central idea, that consciousness affects matter, lies at the very heart of an irreconcilable difference between the world view offered by classical physics – the science of the big, visible world – and that of quantum physics – the science of the world’s most diminutive components. These discoveries offer convincing evidence that all matter in the universe exists in a web of connection and constant influence, which often overrides many of the laws of the universe that we used to believe held ultimate sovereignty.
At least 40 top scientists in academic centres of research around the world have demonstrated that an information transfer constantly carries on between living things, and that thought forms are simply another aspect of transmitted energy. Hundreds of others have offered plausible theories embracing even the most counter-intuitive effects, such as time-displaced influence, as now consistent with the laws of physics.
Ideas about the power of thought are no longer the ruminations of a few eccentric individuals. They now underpin many well-accepted disciplines in every reach of life, from orthodox and alternative medicine to competitive sport. Medical scientists often speak of the ‘placebo effect’ as an annoying impediment to the proof of the efficacy of a chemical agent. It is time that we understood and made full use of the power of the placebo. Repeatedly, the mind has proved to be a far more powerful healer than the greatest of breakthrough drugs.
Frontier science is the art of inquiring about the impossible. All of our major achievements in history have resulted from asking an outrageous question. What if stones fall from the sky? What if giant metal objects could overcome gravity? What if there is no end of the earth to sail off of? All of the discoveries about the power of thought and remote influence have similarly proceeded from asking a seemingly absurd question: what if our thoughts could affect the things around us?
True science always begins with an unpopular question, even if there is no prospect of an immediate answer – even if the answer threatens to overturn every last one of our cherished beliefs. The scientists engaged in consciousness research must constantly put forward unpopular questions about the nature of the mind and the extent of its reach. In our group Intention Experiments, we have asked the most impossible question of all: what if a group thought could heal a remote target? It is a little like asking, what if a thought could heal the world?
It is an outlandish question, but the most important part of scientific investigation is just the simple willingness to ask the question. Mainstream science has grown ever more fundamentalist, dominated by a few highly vocal scientists who believe that our scientific story has largely been written. Nevertheless, a small body of resistance carries on in defiance of this restricted view. With every unorthodox question asked, with every unlikely answer, frontier sciences such as those featured in my books – and now Dan Brown’s — remake our world. May they and their ilk light our way.”
Read more at: http://www.huffingtonpost.com/lynne-mctaggart/why-dan-browns-science-fi_b_325906.html
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